INDUSTRY TALK: The Definition of “MC”

Mar 10, 2012 by strat - Comments Off on INDUSTRY TALK: The Definition of “MC”

Throughout the years, I have been privy to many a debate on this topic. I have been a connoisseur of fine hip hop since the late 80s and many of my peers respect me as an authority on the subject. That aside, I’ve noticed that peoples’ opinions of what an MC supposed to be, within a Hip Hop context, tend to differ somewhat. On the day when we remember the late, great Christopher Wallace aka The Notorious B.I.G, I thought I would deal with this issue a bit.

So I recently saw some of my peoples in a facebook group arguing (kinda) over whether a certain rap artist can be considered an MC (Nicki Minaj -__-). Some people said that she’s not a good lyricist and therefore she should never hold that title. Well is this really true? Does being lyrical equate to being a real MC? It’s all about perspective really. At the beginning of Hip Hop, the term MC implied “one who moved the crowd”. It was actually closer akin in definition to the dictionary meaning “Master of Ceremonies”. The earliest Hip Hop showcases were not so much about the rapper, as it was about the entire culture. The MC in those days basically hyped up the crowd with simple party styled lyrics (“throw ya hands in the air, and wave ’em like you just don’t care”) while the DJ did his thing on the wheels. Even the early songs by Kurtis Blow, Grandmaster Flash and The Sugar Hill Gang were not lyrical by today’s standards but they did in fact move the crowd. We could even argue about what “lyrical” means, as many people may say that the Furious Five’s “The Message” was a lyrical song simply because of how they brought across the subject matter.

Fast forward to now. It’s 2012 and the game has been significantly changed, time and time again. Now the most revered MCs are the lyricists (I use MC and not rapper. A rapper can be anyone who raps. Many rappers exist and are chart toppers not because of skill but because of marketing). As time progressed, MCs such as Big L, Kool G Rap, Biggie, Pac, Nas, Jay-Z, Common, yasiin bey (Mos Def) and others have made music that redefined how we judge an MC. Nowadays, if you’re not lyrical, your “MC” status is dubious at best (except in the eyes of MTV). The use of metaphor, double entendre and punchlines is now a vital part of being an MC.

Even now in a time where success as a rap artist seems to be dependent on your marketing and your beats, real hip hoppers understand what it takes to be an MC. The real reason why I would say that being and MC now requires lyricism is because in many circles, that is how you ‘move the crowd’. Even some of the most popular mainstream artists, such as L’il Wayne and Drake, are top notch MCs because of what they say and how they say it.

To any rappers or MCs reading this, aspiring or established, I hope it helps in some way. To the indie artists longing to claim your place among the greats like B.I.G, study your craft and do worry about hot beats. The beats are everywhere now and you don’t need to have a Timberland sized budget to get them. Simply grab your debit/credit card and buy beats online. Respect the art. Peace.

R.I.P

Christopher George Latore Wallace

May 21, 1972 – March 9, 1997